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Lou Bunin

  • Lou Bunin (1904-1994)
  • About Lou
  • Puppets
  • Short Films
  • Alice in Wonderland
  • Commercials
  • Watercolors and Inks
  • SculptureLou
  • Contact

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      Lou Bunin (1904-1994)

      Artist and Puppeteer

    • About Lou

      Louis 'Lou' Bunin was an American puppeteer, artist, and pioneer of stop-motion animation in the latter half of the twentieth century.

       

      While working as a mural artist under Diego Rivera in Mexico City in 1926, Bunin created political puppet shows using marionettes including a production of Eugene O'Neill's The Hairy Ape. Photographer Tina Modotti took many pictures of Bunin and his puppets, including her renowned work, "The Hands of the Puppeteer."

       

      On his return to the United States, Bunin created animated three-dimensional puppets to appear in the 1939 New York World's Fair in New York City. His 1943 political stop-motion satire, Bury the Axis, is well known. Later Bunin landed a job with Metro-Goldwyn-Mayer where he created the stop-motion Prologue to the famed film, Ziegfeld Follies. He was subsequently fired as a casualty of McCarthyism. He created a feature-length film of "Alice in Wonderland," using a live-action Alice and stop-motion puppets for the Wonderland creatures. He had the misfortune of creating his film (filmed in post-war France) at the same time as Disney's cel-animated version, and Lou's Alice became mired in technical and distribution difficulties. It is still regarded as the most artistically creative, and most loyal to the original Lewis Carroll story, of any of the Alice film adaptations.

       

      While Lou remained a filmmaker, he never lost his love of art (painting and sculpture), or his drive to produce it. Here is a small selection of his many achievements.

       

      Creator of the popular Talking Utica Club Beer Mugs and a plethora of memorable short films, Bunin died of a stroke on 17 February 1994 at age 89 in Englewood, New Jersey, USA.

    • Puppets

      Lou's career in puppetry began in1926, when he drove from Chicago to Mexico City in a Model T Ford to begin his apprenticeship with the muralist Diego Rivera. While he was there, he began to experiment with puppet shows, adapting current literature for his themes. Many of these shows were captured by photographer Tina Modotti. Lou's assistant n Mexico was a very young Ann Morrow Lindbergh, living there with her father Dwight Morrow, a U.S. ambassador. Lou was most proud of his adaptation of Eugene O'Neill's "The Hairy Ape," an Expressionist play that echoed Lou's own political beliefs.Later, Lou toured the United States putting on puppet shows with Meyer Levin, a noted puppeteer. The images below are collected from both family archives and Internet resources, and include some notable Modotti photographs of Lou's hands and works. (Click image to expand, and for more information).

      Horse
      Puppet from The Hairy Ape - Mexico
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      Hands of the Puppeteer: Tina Modotti Photograph
      Lou in Mexico - Tina Modotti Photograph
      Scene from The Hairy Ape - Tina Modotti, Photographer
      Puppet of NYC Mayor LaGuardia
      Puppet of Alfred Hitchcock
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      Scene from The Hairy Ape in Mexico - Tina Modotti Photograph
    • Short Films

      A few years later, in the early 1930's, he was asked to make a film of one of his puppet shows. He was horrified when he saw how awkward and clumsy his hand puppets looked on film! He decided to develop a way of making puppets that would work on film, and he turned to a new concept that was beginning to appear in Europe: Stop Motion. Lou developed a technique using an armature and his own formulation of rubber to create puppets that moved smoothly and could be manipulated in great detail. His first film (and probably the first stop-motion film in the U.S.) was commissioned by the oil industry and titled "Petroleum Pete." It made its debut at the 1933. It was followed by "Bury the Axis," a U.S. Government-sponsored propaganda piece to unite the country in the face of World War II. Lou continued to make short films through the 1960s. Here is a sampling:

      Bury the Axis

      Created in 1943, a U.S. Government-sponsored propaganda piece to unite the country in the face of World War II.

      The Ziegfield Follies

      Created for MGM, it served as a prologue to one of the famous Ziegfield shows.

      The Cat and the Sphinx

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      A short, educational film created in the 1950s.

    • Alice in Wonderland

      Bunin created a feature length stop-motion animation film adaptation of Alice in Wonderland in 1949, starring Carol Marsh as a live-action Alice. A lawsuit from Walt Disney prevented it from being widely released in the U.S., so that it would not compete with Disney's forthcoming 1951 animated version. Further, the film was kept out of Britain as his representation of the Queen of Hearts was seen as too close and too unkind to Queen Victoria. The film was recently restored with 12 additional minutes and shown at museums around the US, including the Museum of Modern Art in New York City.

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      Here are some stills from Lou's Alice in Wonderland. You can find clips from the film on YouTube.

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    • Commercials

      After Lou was blacklisted in the early 1950s, he turned to commercials for a way to make a living. Here are some.

      Utica Club Beer

      Schultz and Dooley (Utica Club Beer)

      A series of these beer mug characters and their adventures were produced to advertise Utica Club Beer in the 1960s.

      Doeskin Facial Tissues

       

    • Watercolors and Inks

      Lou was also a prolific painter, with a focus on horses and landscapes.

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      Sailboats from the 1950s

      Lou was captivated by the beauty and motion of sailboats on the water. It was a frequent theme in his artwork.

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      Race Horses

      For many years, Lou was fascinated by race horsesAs a theme, it directly captured his love of motion and grace. His horses started out fairly realistic, and moved into many types of abstractions as the 1950s progressed.

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      Landcapes

      In the 1930s and 40s, cubist landscapes were a source of inspiration.

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      Stormy Skies

      He was also fascinated by the shape-shifting of the sky, especially during a storm.

    • Sculpture

      Lou

      The Dutchess
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      His love of racehorses, translated into welded sculpture.
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      This is one of a series of scultpures inspired by Watergate.
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      Lou's marble Mother and Child sculpture, shown under one of his early horse watercolors.
      One of a series of sculptures made from found railroad ties.
      The Watergate series
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    • Contact

      Reach out to Lou's daughter, Amy Bunin Kaiman, with any queries

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